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Houdini Mirror Cuffs

193 visible archived posts ยท 193 preserved total ยท topic ID 5778
Original topic โ†—Recovered images
ronspitz 03 Oct 2014
#1
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Anonymous 03 Oct 2014
#2
fantastic find Ron, thank you for sharing. Interesting stories. Russ and Jew and his matches.....
no article on houdini though, odd way to set out a page.
Joseph Fox 03 Oct 2014
#3
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

The larger photo is of special interest...

You may not notice it at a quick glance, but on the stage - to the left of Houdini & the committee (stage right)....is Houdini's "Ghost House" cabinet...where he would retire in private - to escape from a challenger's handcuffs.

In this "Mirror Handcuff" Challenge...he was in that small cabinet for over an hour - and for the most part, we would assume - on his knees.
John Cox 10 Oct 2014
#4
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

That key is MUCH smaller than any of the repro keys. Has Mick Hanzlik seen this article?
Anonymous 10 Oct 2014
#5
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

don't worry John, it's a drawing not real life. Mick know better, he's British.
Mick Hanzlik 10 Oct 2014
#6
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Im not so sure it's a drawing, and if so, why the short key? I know what the original keys look like, and this is the very first picture I have seen of a short key. This needs more research. I'm still convinced this is a photo, as in those days, I don't think anyone would bother to draw something that looks photo realistic.

I'd appreciate any thoughts, as I need to get to the bottom of this.
Steve Santini 10 Oct 2014
#7
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

When he allowed the smaller duplicate key which he actually used to escape from the cuffs to be photographed.

Just a theory but a plausible one.

Steve Santini
Mick Hanzlik 10 Oct 2014
#8
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Agreed Steve. Due to the size of the short key, this could re-open up the idea of the key being concealed in the glass of water, or even in Bess's mouth when she gave him a kiss. The regular size keys could have been shown later, therefore making the public think that concealment was impossible. As this short key has not been seen in any pictures, except this one, my guess is that after the escape, it was probably destroyed.
Steve Santini 10 Oct 2014
#9
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Forget about the glass of water, the kiss, etc.

All legend and smoke and mirrors.

Last time I checked Harry was not searched prior to entering The Ghost House.

Nor was The Ghost House Itself.

Method? Harry had a small duplicate key on him and used it to open the cuffs.

End of story. No myth, no legend. Just logic.

And yes, you can quote me on this.

Steve Santini
ronspitz 11 Oct 2014
#10
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I'm glad I spotted the post on eBay. Question for those of you who have seen the real Mirror cuff. Looking at the surface of the lock tube in the picture, the surface looks to be uneven. Does this picture look like the real cuff as far a the surface finish is concerned?

Ron
Mick Hanzlik 11 Oct 2014
#11
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I have examined the picture closely, and can confirm, 100% that the cuffs in this new photo are NOT the original Mirror Cuffs. There are are so many differences, in the hinge design etc. So that makes me wonder about the key. This could have been a dummy cuff and key built just to publicise the challenge. If you can, do a comparison to see what I mean.
Ian McColl 11 Oct 2014
#12
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I have adjusted the dimensions of the DC mirror image and the article image to the same size. I would suggest that the cuff is the same minus the dark lines which appear to have been drawn onto the negative (?) or image before it was cropped and put into the article. These lines that appear to be there to show or enhance the outline have slightly distorted image.

We would need to hear from someone who has knowledge as to the process of printing images back in the 1900's.

As none of us were there for the challenge, we cannot say for sure what happened or didn't happen. So much is myth and legend.

I cannot see any advantage of having a smaller key and don't believe the image of the key in the article is accurate. (It could be that the person who set up the article had already heard rumours of the key passed in a kiss story, and crop the key to suit the rumour.
I certainly don't believe that the key in a glass of water story. Just having a spare key (if that is what he used) in his pocket, would have been a simpler way.


Mick Hanzlik 11 Oct 2014
#13
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Ian, the most significant difference is the top hinge. You will notice that the rounded part is on the left hand part of the shackle, instead of the right hand part, as on the DC originals. Also, no hinge pins are visible!
ronspitz 11 Oct 2014
#14
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I have to agree with Mick, the pictures Ian sent me do not look like the one in the pictures. As Mick noted the hinge pins look different and the finish on the lock tube seem to be a lessor quality than the pictures of the one in the Copperfield collection.

Chris Gower 11 Oct 2014
#15
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Very interesting photo, like Ian I think it is the same cuff. Think the top hinge may be half the thickness of the bow. If you look at the Silver Replica photo where the photo is taken the same way round the top hinge is correct. So if we assume this was an exact replica the picture in the article could be the same. As Ian says they may have edited the key as it would be too long to make a balanced photo.
However, I do have to agree the finish is quite poor but the one in the DC collection is also quite pitted.
Just my thoughts.
Chris Gower
Mick Hanzlik 11 Oct 2014
#16
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Sorry to disagree guys. Let me explain. The new picture with the short key, and the silver replica cuffs have the same top hinge design. Look at a picture of the genuine cuffs and study the part where the bows connect by the hinge. On the genuine cuff, the left hand bow fits INSIDE the hinge assembly of the right hand bow.

On the silver replicas, and the new picture, the left hand bow fits on the OUTSIDE of the hinge assembly of the right hand bow, so there is an obvious difference.

I will try to upload a picture if I can figure out how to do it!
Michael Griffin 11 Oct 2014
#17
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

OK,,,I'm gonna run something by you all about the short key.
What if thats the original key? I ask that because is it possible that Houdini made the long keys for publicity sake? He is known for throwing red herrings out,,ie: the little cage far down on the Siberian Prison Cart,
I'm saying this because, although the pic of him being locked up is kinda lacking detail I cant help but think I see a small key in the hands of the challenger (the way his hand is, looks like holding a small key, not the large one)

I can imagine that for all publicity matters the long key would be talked about because of its extraordinary size, again doesnt matter in magic how its accomplished, what truly matters is what the audience takes away from it and i would think the press would really latch onto that huge key..

Ok,,,it was just a thought
Mick Hanzlik 11 Oct 2014
#18
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Michael, yes, I mentioned that a few postings ago. The bigger key would look impressive so therefore making them challenge more impressive.

We know that the longer key survived as we have pictures of Bess holding it, and it is now resting in the lock at David's museum. I guess that the small key was destroyed or "lost" so the concealment method was not considered.
mickhanzlik 11 Oct 2014
#19
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Unknown / guest 11 Oct 2014
#20
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I managed to get the picture uploaded (my first time) It's a little small, and the wording you may not be able to read, mentions that the small curve on the original bow is missing from the other one, and the hinge pins are also missing
ronspitz 11 Oct 2014
#21
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

One thing that has not been mentioned is that the longer key would be easier to manipulate and work with in order to make the escape.

Ron
Chris Gower 11 Oct 2014
#22
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Mick you are right, this would seem to imply that perhaps there were two models made if we assume the picture in The Tatler magazine was a photo which it would appear to be. This also implies that the Silver Replica was modelled on the Tatler Photo as the top hinge pin is the same and it is also missing the lug where the bow goes into the lockcase.
Chris Gower
Mick Hanzlik 11 Oct 2014
#23
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Chris, my thoughts are that the silver replica and the "Tatler" cuffs were made by the same person, because all the features are the same. This now creates another riddle - what happened to the "Tatler" cuffs?

I wonder why the silver cuffs were solid and not working.

There was a rumour once about a wooden set of Mirror Cuffs in the cabinet at Niagara once, which were made to look like the originals. Possibly to avoid theft of the original ones.

We all know that in order to cast something in any metal (silver?) a pattern has to be made, In order to make a mould to pour the molten metal.

Could the wooden set have been the wooden patten, and then used in the Niagara display?

I wonder if anyone else had heard this story?
IM 11 Oct 2014
#24
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

There are black lines drawn on the outline of the cuff and thru the hinge area to enhance the shape. These lines have changed the shape of the cuff. I think people are clutching at straws to make a bigger deal out of this picture. The cuff is also one a slight angle and because of the flash(?) sunlight or lack of sunlight, the rivets are not as visible as in the DC photo. There is so much we don't know no point guessing.

The silver pair has not break in the centre, itโ€™s solid, so it counts theses cuffs (tattler & DC) out as the source or wooden pattern.
Mick Hanzlik 12 Oct 2014
#25
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I still disagree IM. I have in my posession a hi-res picture of the silver replica cuffs with exactly the same "markings" and these are lines cut into the metal, to appear like joints on the hinge. The rivets on the originals are very plain to see. There is no indication whatever of any hinge rivets on the Tatler or silver replicas.The most important thing, that I keep trying to explain is that the "joint line" on the top hinge is in the wrong place on the Tatler and silver replicas.Please go back to the picture and compare. I don't think that this picture has had any lines drawn on.
mickhanzlik 12 Oct 2014
#26
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Here is a close up of the hinge differences that show that the Tatler/Silver replicas are different to the originals

Chris Gower 13 Oct 2014
#27
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I have never heard about a wooden pattern but what is interesting and at the moment I can not find the paper work is that back in the 1980's when Ray McKee sent me the tracing of the Mirror Cuffs we were talking about methods and out of the blue he said what do you think about the theory of there being two Mirror Cuffs. I said why bother, but it would appear that perhaps he knew more than he was letting on. On the assumption he was by friendly with Sid Radner and also another top researcher who wrote quite a detailed account of the cuffs back in the 1980's perhaps the Tatler Cuffs were the original challenge cuffs?
Chris Gower
Mick Hanzlik 13 Oct 2014
#28
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Interesting Chris. Another what if.....what if the Tatler Cuffs were used in the challenge with a very simple lock mechanism, and the ones we know as the "real" ones were the ones that the London locksmiths examined before the challenge, and remarked what a complicated locking mechanism. The Tatler ones could have been switched before and after the challenge, and then conveniently "lost" forever. Just my ramblings, but nice to think about!
Paul Davies 14 Oct 2014
#29
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

What is known of William Bennett, the Daily Mirror reporter, said to have set up the event at the Hippodrome and sourced and purchased (or borrowed) the handcuff. He was also the Press Agent for the London Coliseum in the same year (1904) and later for the Hippodrome. The Hippodrome was the offices of the Moss Empires Ltd which owned over 50 theatres. Coincidentally (or not)a William Bennett owned or ran 3 theatres in London and Coventry.
Paul Davies
Tim 15 Oct 2014
#30
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I wouldn't consider it out of the question that Houdini made or had made 2 Mirror cuffs. He was a collector so maybe he wanted to try a slight new design change or whatever. That's of course working off the assumption that Houdini was involved in the manufactur of the cuffs.

As Mike points out though, those are definately 2 different cuffs. So where's the other "original"?
Tim 15 Oct 2014
#31
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I just thought of this, perhaps this cuff in these new photos was the first one and then somebody thought to even make it more secure and to keep prying eyes from examining it, they made a second model that required the longer key because the lock was more recessed into the tube.

Just a thought but I'm not as knowledgeable about locks as others.

Maybe the close up photo in these pictures was a supplied photo to the paper that was made of the "first model" so they just used that since they were pretty much the same.
Ian McColl 24 Oct 2014
#32
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

If the cuff in the Tatler article is a real photo, then it is of the Silver replica. As Mick points out the difference between the challenge cuff and the silver replica is the hinge.

I have heard that Henry Muhler of the Houdini Hall of Fame had and displayed wooden copies of the Mirror cuffs as he had heard threats of the cuff possibly being stolen.

Is there a date to this Tatler article?
Paul 25 Oct 2014
#33
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

The Tatler article is dated 23 March 1904, 6 days later than the Challenge, and the publication would have taken some days to prepare for print. I have the article and I'm helping Mick with a few leads on the subject. If I'm not mistaken, this is the earliest closeup photo of the Mirror cuff. The Tatler cuff is open, the silver cuff is solid with the non-working hinge facing the same way. The Tatler photo has been contoured ie they painted around the cuff with white paint to remove the background prior to pasting it onto the artboard.

The question in my mind is, when was Houdini photographed with a 3rd, different cuff in his hands. Is it something he had made - a replica, or a duplicate?

Also, a newspaper advert prior to the challenge shows a drawing of the cuff with a short key, but I'm sure there would have been more than one key for it.

Lies and deception still has everyone guessing!!

Paul
Vince 26 Oct 2014
#34
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Whatever version the cuff in the article is, replica or otherwise, it appears to have been "chewed" on the end portion of the locktube. Or perhaps even pried out and re-peened back on. If it were a drawing, I doubt it would include this damage. If it is a "repro" then why was it pried open?

Just my mind questioning what I see...

Cheers,
--Vince
Paul 26 Oct 2014
#35
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

As I stated above, this photograph has had the background removed. If it were photographed on a dark background it would be hard to see where the actual edge of the cuff is. Whether it is a junior retoucher or one with an unsteady hand and paintbrush is more the question.
Paul D
Vince 26 Oct 2014
#36
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

As "I" stated above, NOT ON THE PHOTO'S EDGE, (REPEAT) NOT ON THE PHOTO'S EDGE, but rather where the locktube meets the endcap appears to have a small crinkle as if it were pried apart at some time.

--Vince
perry 31 Oct 2014
#37
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

This photo must show the original Mirror cuff and it may change the way we all think about this event. Lock was not as complicated are we all thought.
Anonymous 31 Oct 2014
#38
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

what makes you say the lock is not complicated, it is very.

Have you seen it??

perry 31 Oct 2014
#39
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

The key we all see in that famous photo taken that day on stage is short...I always thought it looked smaller than those very large keys and now we know why. Copperfield does not own the original mirror cuffs......incredible. What a historical curve ball this one photo has thrown us all 110 years after the fact. Implications here are blowing my mind.
perry 31 Oct 2014
#40
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Not saying its not complicated.....Not as complicated. The long key implied a deeply nested lock mechanism potentially difficult to reach with picks. Shorter key possibly less so.
Perry 31 Oct 2014
#41
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

So the silver replica cuffs were made to look like the original mirror cuffs. This is why they do not look exactly like what we all thought were the original cuffs. Huge question is now where are those original cuffs? Does anyone think Copperfield is aware of all this? I have another thought.......what if this was a real challenge and how ever he did it Houdini escaped from those original cuffs that day in 1904. Houdini would not own those cuffs...they would go back to the locksmith that made them. All Houdini would have after the escape is the silver replica. Perhaps Houdini had his own Mirror cuff made after the event while the true original cuffs went back in the possession of the person who made them. I think this is a plausible conclusion.
Ian McColl 01 Nov 2014
#42
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Hi Perry, the mechanism of sliders was right at the entrance of the keyhole, there are photos of this while the cuff was at the Houdini hall of fame Canada. The key only needed to go in about ยพ inch. The lock key was not necessary. It was just made a proportional correct size for the diameter and head shape.
Perry 01 Nov 2014
#43
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Yes you are correct. There is no doubt however that the cuff and key in that new photo is not the Mirror cuffs we all have been calling the Mirror cuffs. In a challenge such as this would not the cuff be returned to the owner/builder of the cuff after the escape? If this were the case Houdini may have made his own version since all he would be left with was that non working replica. So perhaps the real Mirror cuff is locked away someplace in a Birmingham attic. If true can you imagine the value of this cuff if it were to be located?
Paul Davies 01 Nov 2014
#44
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

http://trove.nla.gov.au/ndp/del/article ... dateAscers

The above link is a 1909, version of the event which another website has a later one dated 1910 that mentions the name of the "Press Agent"- William Bennett. see next links. With no evidence to be found of a Scottish journalist named William Bennett, I am investigating a Theatrical Manager in London at the time with the same name.

http://harryhoudinicircumstantialeviden ... ge%204.pdf

http://harryhoudinicircumstantialevidence.com/?p=1871
ronspitz 01 Nov 2014
#45
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Thanks for the article Paul. I am always suspicious of articles written years after the actual event. The statement near the end of the article that states "it was only a peculiar physical defect that enabled Houdini to defeat this beautiful mechanism" should produce some interesting thoughts from those with much more knowledge than I.

Ron
perry 01 Nov 2014
#46
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I think that article can be taken with a grain of salt. The blockbuster is that new photo of the real Mirror cuffs.
Paul 01 Nov 2014
#47
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

We are naturally suspicious of anything to do with the Mirror Handcuff Challenge. It is our challenge to find any truth in what has been written or told.
The articles were republished in Australian newspapers 26 Feb 1909 and 27 April 1910. The questions for me are, when was it first published in Pearson's Weekly, is there more in the original article, and was there really a Scottish journalist named Will Bennett who masterminded the challenge. As far as the cuff goes, I agree with Perry, but I'll leave that to those with more knowledge of it.
Paul
Mick Hanzlik 02 Nov 2014
#48
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Is there any way, with the number of people interested in this subject, to come up with a "timeline" for the cuffs we know as the "real" ones (Not the Tatler ones)?

I would like to know how they got into Houdini's possession after the challenge, and not go back to the locksmith who made them. (There is a theory on this thead that has Houdini getting his own set made, which I suppose is feasable)

In the story from the Australian newspaper, 1909-1919, Nathaniel Hart, the alleged maker,said tht he wouldn't sell them for "double their weight in gold"
so surely if he had loaned them to the newspaper man, as stated in the artice, he would want them back.

There are lots of pictures of the cuffs being in Bess's hands, so somehow she got them after Harry died.

How did Henry Mueller of the Houdini Hall of Fame get them? Was Sid Radner involved? He was a buddy of Hardeen, so maybe they came through him.

Then of course David Coppefrield became the new owner. Can we somehow put dates on any of these occasions?

Perry 02 Nov 2014
#49
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Unless I am completely missing something here the above photo is the original cuff....its the only up close photo I know of taken at the time of the escape. The conclusion has to be THIS is the cuff Houdini escaped from in 1904. This being the case the cuff we all thought was the original Mirror cuff is indeed not. These are two different handcuffs. This also explakns why the silver replica cuffs do not look like the cuff we thought was the mirror cuff....it quite logically looks like the true mirror cuff. The fact that the replj ca looks like the above pic is in my mind conclusive proof it was THE true original Mirror cuff. The question now is....what ever happened to the real Mirror handcuff? There is no photo I am aware of of Houdini holding either cuff.
John Cox 02 Nov 2014
#50
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Whoa. Now that is very intriguing, Perry. And it makes sense.
Riley 02 Nov 2014
#51
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

This is a fascinating thread.

I remember discussing this at length with the late David Deval. We shared the same view of the subject. We all know that none of us will never really know - but many of us know how Houdini worked. This is the view David and I shared:

1. Houdini had made three pairs of cuffs, ie., a set with a working Bramah locking mechanism, (ie., the set now owned by Mr C), a set with a standard "Darby" lock with a weak spring for rapping purposes, (ie, the "Tatler" set) and the non-functioning silver presentation set.

2. Houdini was cuffed with the Rapping/Tatler set (unknown to David and I at the time). Then followed the business with the pen knife/slashing the frock coat to maintain interest....THEN...asking for the cushion because his knees were hurting (?).
Ok. The ghost house was small, and most will agree that Houdini was probably in a kneeling position for a long time...David and I believed the cushion contained the Bramah lock set of cuffs (unlocked) which were exchanged for the set locked onto Houdini's wrists, which he rapped open and then hid in the cushion. At the suitable moment, he then appeared from his "ghost house" holding aloft the set of cuffs, and during the applause etc etc his assistants quietly removed the ghost house and loaded cushion from the stage area.

3. David and I believed the "Tatler" set (as I will now call them) were destroyed and the other set (Mr C's cuffs) were preserved for posterity, along with the silver set.

4. We thought that the cuffs (in the photo of Houdini on stage) would have the keyhole at the bottom, but that Harry moved his arms into the position shown for the pose. The rapping would not be heard, as the stage was covered in carpet (look again at the photo). I mentioned to David that the rapping may have damaged the lock tube a little. He smiled at me and said "But nobody would ever see those cuffs again!!"
......now take a look at the marks on the keyway end of the lock tube on the "Tatler" photo.

5. David and I both agreed this solution would be rejected by most, if not all, Houdini admirers. Everyone wants to believe that Houdini picked the super Bramah lock. In fact, that is what Houdini wanted...and this escape has to be understood against the backdrop of happenings in London in the years leading up to 1904...the Bramah lock in the shop window etc. David and I believed this escape was ten minutes work and one hour showmanship. Nice work Harry...we're still talking about it

Riley
Ian McColl 02 Nov 2014
#52
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Hi Riley, There would not have to be three pair, still only two.

The cylinder of a lock is only a mechanism which needs to be set correctly before it will revolve.

So if you consider the actual key and cylinder as one, beyond it can be a darby mechanism.

The cylinder and key turn several times (just like a darby key) and the bolt is drawn in and out (just like a darby lock)

In both the Houdini sรฉance cuff (which has a Bramah cylinder) and in the first replica (not the reproductions) I made. I incorporate my theory which was that the cuffs rapped open.

in regard to the Seance cuff, there is an article on Sid Radner escaping from them in seconds.

So if a Bramah lock within a handcuff (nested type or not) is supposed to be hard to open, why can Sid do it in seconds and Houdini over an hour.

I demonstrated my theory at the 2005 escape convention just prior to the Mirror handcuff lecture.

So what we know so far is that the Tatler cuff is likely to be the first Mirror cuff. The silver replica is a copy of it and the DC Mirror cuff is different.

Either there were three cuffs at the beginning (unlikely as one is built differently)
More likely that one was lost and another was built to replace it. some time been 1910 and 1972
Paul Davies 02 Nov 2014
#53
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

http://trove.nla.gov.au/ndp/del/article ... by=dateAsc

Houdini revealed his secrets of escaping in this 1910 article. So a key to the mirror cuff was always available to him if he had one at all.
The method I like the most is the "tiny silver tube" stuck under his armpit with shoemakers wax (or maybe it was concealed somewhere even less glamorous) when escaping nude.
Paul
John Cox 03 Nov 2014
#54
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

I'm in love with your theory, Riley.
Perry 03 Nov 2014
#55
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

With all due respect the double mirror cuff theory makes no sense. Why make two cuffs that don't look like one another? If indeed this was the way it went down why not make a duplicate of the cuff? Also why have a duplicate at all? All he needed was a duplicate KEY. Also is it not strange there is no photo of Houdini holding these cuffs? There is a photo of him holding the silver replica....where is the real cuff? Maybe...just maybe the real Mirror cuff went back to its builder after the escape and Houdini commissioned a Mirror cuff of his own some time after the fact. It's very strange no photo exists of him holding these original cuffs......it was one of his most famous escapes certainly.
Anonymous 03 Nov 2014
#56
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

the article wasn't about Houdini secrets.

it says.

"It is interesting to learn how all this is done, and the following article, taken from an American magazine, is written by another Americaโ€™s โ€œhandcuff kingsโ€"

Paul 03 Nov 2014
#57
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Ron

Sorry, my bad.
It has been a while since I last read Handcuff Kings Confessions. It was not Houdini secrets but goes to show how the tricks in general were done.
That everyone claimed to be THE Handcuff King was one of the problems around that time.

I can imagine that in 1904 the handcuff escape was becoming Old Hat. Houdini did not need gaffed cuffs to escape from, any standard issue cuffs were easy.

Here is a conversation I have imagined (and you may laugh) between the Hippodrome Manager, Harry, and his friend Tom Froggatt the handcuff maker.

Manager- Harry, I need to get bums on seats, and your tricks have already been seen all around the country.
Harry - I can have made, a safe lock in a handcuff, by my friend Tom, an expert in his trade. You can have it checked by every locksmith in London for authenticity.
Tom- sure thing Harry, but keep my name out of it. When you escape it, it won't be good for my business.
Manager- OK lets get this campaign going with media coverage, including a challenge, a story of how it took 5 years to make and take your time escaping with some added drama.
Harry- Tom, it has to fit me exactly and be un-pickable, but I need some other way of opening it. A short key would be handy to conceal.


Paul
Perry 03 Nov 2014
#58
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Sounds good...but where are the cuffs? Why build a new Mirror cuff with two new keys if you have the original? Either somehow the original cuff was lost and Houdini had another made....even though it was not a true duplicate OR somewhere in Birmingham in some forgotten trunk sits the real Mirror cuff. What a find this would be! Who is going to tell DC he does not own the real Mirror cuff?
Perry 03 Nov 2014
#59
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

This also makes the story of Houdini getting the key via Bess in a glass of water a possibility. The real key was certainly short enough for this is have occurred.
Anonymous 03 Nov 2014
#60
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Paul, I am sure that this was thetype of the conversation that took place. I think the Mirror newspaper was also new at the time and this would have been a great stunt for all involved.

The cuff doesn't need to be built to be gaffed, it was can rapped by design.

It all comes down to the Tatler/Mirror cuff is the real one and DC's is a later copy.




Perry 03 Nov 2014
#61
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Are you saying you know for a fact that the cuff was gaffes to allow it to be rapped open? How do you know this as fact?
Perry 03 Nov 2014
#62
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

And where are the original cuffs? I highly doubt Houdini would destroy them. Why are there no photos of Houdini and these cuffs?
Anonymous 03 Nov 2014
#63
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Perry, a darby cuff doesn't have to be gaffed for it to be rapped open. So if it can be rapped open, it can be called a legit cuff, and should not be called a gimmciked cuff.

If the Mirror was built along the same design of a darby, theorically it could be rapped, so therefore wouldn't be a gimmicked cuff.

In a conversation with DC he appeared to not know anything technically and always looked at his right hand man (CR) to come up with an answer. Both seemed not to really understand the questions about the cuffs and DC just said, "if you are every in Vegas you can check them out for yourself".



Mick Hanzlik 03 Nov 2014
#64
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Ron

I don't think DC would have said "Check them out when you're in Vegas" From what I'm told, he is very protective of them, and they very rarely get taken out of the display case. I sent him a replica key (thru his manager) and asked him to compare it to the real thing. I was told that they will do that next time they open the cabinet. That was six months ago!
Ian McColl 03 Nov 2014
#65
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Hi Mick, he did tell me that in 2009 when I met him. I know he is very protective and even though he said it, I didn't believe he would remeber let alone keep his word. He said it as if he gloating that he had it and he has the secret but frankly, I don't think he know much else that what he picks up from guys like us.


Perry 03 Nov 2014
#66
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Ron

Can darbies really be rapped open? I had a pair years ago and you would need a sledgehammer to be able to budge that spring.

Do the experts on this cuff think it contained a spring like a Darby or was it more along the lines of a plug 8 In this regard?
John Cox 03 Nov 2014
#67
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Perry -- there is a famous photo of Houdini with the Mirror Cuffs.

Chris Gower 03 Nov 2014
#68
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Ron

Hi
I know of only two photos of Houdini holding the Mirror Cuffs. The one that has just been posted with Houdini holding the cuffs on his left and another where he is holding them on his right. As far as I can ascertain both of these are him holding the Silver Replica cuffs as identified by the hinge location - unless he is holding the Tatler cuffs???
Chris
Perry 03 Nov 2014
#69
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

John
Yes I am very well familiar with this photo BUT it's always described as being him holding the silver replica not the real cuffs. Interesting that he is holding the center of the cuff so we cannot see if the cuff bows are connected or separate from the locking mechanism. The silver replicas being non working would be fused in that area while the real deal would not. I always assumed that this photo showed the silver replicas since it LOOKED like the replica. Now with the new photo showing that the replica and the original were indeed visually very similar it is harder to tell. I would say that the sheen on these cuffs look more like steel than silver so perhaps these are the cuffs he escaped from?
ronspitz 03 Nov 2014
#70
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Ron

Perry-Looking at an enlargement of the above photo the bows are definitely not connected to the lock tube, if I understand your comment correctly.

This is turning out to be a most interesting post with a lot of new names expressing their thoughts. I there any way to get this post to Mr.C? He may have an interest or just smile.

Ron
Perry 03 Nov 2014
#71
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Ron

How can you tell that from the photo? Houdini's fingers sre covering where a gap if present would be. Although if I had to bet based on that new photo we are probably looking at the original Mirror cuff and not the silver replica. Is there a date associated with that photo?
Perry 03 Nov 2014
#72
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Another question......for those who know about the structure of the longer key does the shorter key appear to be similar in terms of it's construction? In terms of what you can make out regarding the cuts on both required to open The cuff.
Mick Hanzlik 03 Nov 2014
#73
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Ron

Look again please guys. Harry is NOT holding the Tatlers or the silver presentation cuffs,

Check out the hinge design and it is different, so they must be the ones we all have been familiar with before the Tatler picture showed up.

Regarding the picture, I have also seen a left and right version of this, but as they are EXACTLY the same, I suggest that the same negative was used and a "Mirror" (ha! ha!) image was produced. In fact the photo of DC holding his cuffs behind the big picture of Harry holding them, is the opposite to the one in this thread.

In answer to the comparisons with the short and long keys, I think I am qualified to answer this,as I have studied the keys, and made my own replicas. The design, shape and cuts on the short key, in my opinion are the same as on the long one. Possibly a longer key was made to make the locking mechanism look more impressive.

What we need now is someone who has an original photo of the Hippodrome stage shot,so we can study in detail the cuffs and the key used on the day.

Has anyone got a hi-res picture?
Anonymous 03 Nov 2014
#74
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

The three cuffs should now be called

1)tatler cuff
2) silver cuff
3 DC cuff

Is there a date for the photo of Houdini's sitting holding them?
Perry 03 Nov 2014
#75
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Mick appears to be correct. Closer examination reveals that the cuff Houdini is holding is the Mirror cuff we are familiar with. Assuming the new photo is indeed the cuff he escaped from the question I have is when was the photo of Houdini holding the cuffs taken? Sometime between the 1904 escape and the taking of this photo these cuffs were made. Where today is the original Mirror cuff?
Anonymous 03 Nov 2014
#76
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Houdini IS holding A silver replica but it is different to the Solid Silver replica and if he were showing off his prize he would show the engraving and the Hallmarks.
PaulJDavies 04 Nov 2014
#77
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Tatler
[/IMG]
Houdini
[/IMG]
DC Old
[/IMG]
DC New
[/IMG]
Unknown / guest 04 Nov 2014
#78
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

That was me previously with The Catch, to show the difference ie the little foot at the back of the catch on the later Cuffs. We have covered the hinge differences with pictures before.

The catch that is visible looks very much like a standard Darby Catch with a rectangular hole in it but the curvature goes the opposite way to a darby. That might be just to enter the lock easier rather than to push up a spring loaded bolt.
Do we know if the Mirror Cuffs Snap shut? That would suggest a spring which could be rapped open.

The DC is nearly always shown with it's best side - with less plating missing. Hence the Houdini image is flipped to mirror it in the DC comparison.

Here is what I can find for comparisons and some kind of timeline.

14 march 1904 illustration - 3 days prior to challenge
[/IMG]
The Tatler 23 March 1904
[/IMG]
14 May 1904 Presentation of Silver Cuff
[/IMG]
Silver Cuff
[/IMG]
Houdini with a cuff
[/IMG]
Bess with Cuffs
[/IMG]
Old Pic of DC cuff
[/IMG]
Old and New Pics DC cuffs
[/IMG]
DC Silver Cuff
[/IMG]
DC with Houdini Modern
[/IMG]
Perry 04 Nov 2014
#79
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Now I am totally confused!

What I see is all photos except the new one show either the silver replica or the DC cuff. There is only one photo of the true cuff Houdini escaped from.

Houdini is advertising well after the date of the escape a standing wager if anyone can open the Mirror cuff as quickly as he did. This means he was in possession of the cuff I assume?????

So why a second Mirror cuff? Perhaps the first was gaffed and he needed a second ungaffed in case someone would take him up on the challenge?
Perry 04 Nov 2014
#80
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Now I am totally confused!

What I see is all photos except the new one show either the silver replica or the DC cuff. There is only one photo of the true cuff Houdini escaped from.

Houdini is advertising well after the date of the escape a standing wager if anyone can open the Mirror cuff as quickly as he did. This means he was in possession of the cuff I assume?????

So why a second Mirror cuff? Perhaps the first was gaffed and he needed a second ungaffed in case someone would take him up on the challenge?
Perry 04 Nov 2014
#81
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Now I am totally confused!

What I see is all photos except the new one show either the silver replica or the DC cuff. There is only one photo of the true cuff Houdini escaped from.

Houdini is advertising well after the date of the escape a standing wager if anyone can open the Mirror cuff as quickly as he did. This means he was in possession of the cuff I assume?????

So why a second Mirror cuff? Perhaps the first was gaffed and he needed a second ungaffed in case someone would take him up on the challenge?
PaulJDavies 04 Nov 2014
#82
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Perry, I think you are exactly right. He seems to be in possession of a working cuff, but maybe not the original. We may never know for sure.
Paul
Perry 04 Nov 2014
#83
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

It does not say in the advert that Houdini has a standing challenge to locksmiths to open the cuff quicker than he did. Does anyone know if the offer was Houdinis or the Locksmith that created the cuff? Still lots of unanswered questions here.
Anonymous 04 Nov 2014
#84
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Mick, with the enlarged photo put up by Paul (thanks Paul) can you check the visible key cuts with your key.

Mick Hanzlik 04 Nov 2014
#85
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Ron

This is getting confusing. Thanks for the comparison photos Paul, but doesn't that prove that Houdini IS holding the DC cuffs, as there is that little "foot" on the closing end of the shackle, which is NOT on the Tatlers or the silver cuffs?

Also in reply to one of my previous posts, the cuts on the short key in my opinion look pretty darm close to the long key.
Paul Davies 04 Nov 2014
#86
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Ron

Yes Mick, I agree that the Tatler photo is the first and last time that it has been seen. Everything else is the Solid Silver or the DC Cuff. Not confusing at all really. But questions still remain about when and why the DC cuff was made and there are plenty of very good theories, just theories at this stage though.
Paul
Mick Hanzlik 04 Nov 2014
#87
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Ron

Paul, the confusion is where you mentioned that in the picture, Houdini was holding "A Silver Cuff"

That is what I disagree on, as the hinges are the same as the DC cuff and NOT the Silver or Tatler ones
Paul Davies 04 Nov 2014
#88
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Ron

I guess they are all silver color, but I've never said HH was holding the Solid Silver cuff. It's not the Tatler or the solid silver one, you have proved that by the hinge direction. so it must be the DC cuff. I've put up the photos so you can all make up your own minds.
Paul
Perry 04 Nov 2014
#89
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Ron

Has anyone looked at old local Birmingham newspapers and periodicals for info concerning this locksmith and cuffs? I know this was a primitive time period but could anyone just make up a completely fictitious person in a major city like Birmingham and have to go unchallenged? Seems like a huge risk to me. This is not like saying a river was frozen over.
DC 04 Nov 2014
#90
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Ron

Perry, most of us who are following this thread have been interest in Houdini for over 20 years. All of us already know and have researched that Nathan Hart does not exist and making a lock or handcuff does not take 5 years.

When did you begin an interest in Houdini and the Mirror cuffs?

Perry 04 Nov 2014
#91
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Ron

About 40 years ago. Started with a visit with Al flosso at Martinkas. I am well aware that there are those who have tried looking for N Hart without success....this does not mean he did not exist.
Mick Hanzlik 04 Nov 2014
#92
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Ron

Just because we haven't found Nathaniel, doesn't mean he didn't exist. I know of a Nathaniel Hart around this time, who was a metal worker. Nowhere near Birmingham, but all records were destroyed in a fire, so tracing him is particularly difficult. His name has also cropped up somewhere else, which another person on this thread knows about, but so far tracing him is hard. It is possible it could be a made up name, as "Hart" was a well known name in the lock industry, and "Nathaniel" a biblical name, was also a popular name at the time, so it would have been a possiblity, but I am now steering away from that thought.
Perry 04 Nov 2014
#93
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Ron

What I am eluding to is this.......

The population of Birmingham was around 500,000 in 1904. This challenge and escape made headlines I am sure throughout England. Even after the escape advertisements mentioned N Hart from BIRMINGHAM. This is being trumpeted all over England and this would include Birmingham. If we were to look at local Birmingham periodicals/newspapers around that time would there not be a question as to who this local locksmith is? If he just did not exist wouldn't someone raise an issue with all this big promotion regarding a complete a utter false claim? Has anyone tried examining local news around Birmingham at that time to see if this question was asked? ( who the heck is n hart?). Possibly if he did exist this is where we would perhaps find an interview with him. I am very well aware the prevailing idea was the Mirror challenge was a complete set up BUT is just not ring true that Houdini could just make up a fictitious person and advertise this for months in a small country like England and have it all go completely unchallenged......especially in Birmingham.
Mick Hanzlik 04 Nov 2014
#94
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Ron

Many years ago I was doing my Houdini presentation in Birmingham. The subject of Nathaniel came up, and I mentioned that I am trying to find him. It was suggested I contact the local radio station, who do a Sunday afternoon program, trying to locate lost relatives et. I got in touch, and told the Nathaniel story.Normally callers are on for about 10 minutes. They found my story so fascinating,that they kept me on air for 40 minutes!

The listeners were from all over Birmingham and beyond, but still no Nathaniel!

So I have tried!
ronspitz 04 Nov 2014
#95
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Ron

Looking at all the pictures posted on this thread, I believe that the Tatler cuff is a prototype, proof of concept of the final cuff that Harry used on stage. The condition of the lock tube and overall quality is not up to the standard he would have used. The Tatler proved the escape concept and with a few modifications the final cuff was made, used and is now in the museum.

Can I prove this-no but I am in the process of writing up a description on how they may have been gaffed.

Ron
Perry 04 Nov 2014
#96
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Ron

Problem with that theory is ......the new photo is described as THE cuff he escaped from. The photo was taken from an article after the escape so no need to use a photo of a prototype if the real deal was made and available. Also it always looked to me that the key being held by the person cuffing Houdini is small....in line with the photo above.

Regarding N Hart it would be very difficult 110 years after the fact to find people who knew of him. 110 years is a LONG time. I suggest instead going to a Birmingham library and looking through local newspapers leading up and then after the escape in 1904. This was BIG news and it had to have generated local interest in Birmingham. I can't imagine N Hart locksmith from Birminghams being plastered in all the headlines and no one in Birmingham even bothers to find out who this guy is?
Steve Santini 04 Nov 2014
#97
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Ron

I have seen a few posts here that seem to indicate that some feel the Mirror cuff was gaffed.

Personally, there is no reason at all for Houdini to have used a gimmicked version of the cuff. He was not searched prior to entering the "Ghost House" so the most logical and clean way out, a duplicate key, would not have been found on him.

Ideas about switching cuffs, cuffs smuggled in or out in cushions, thick rugs to cover the thud of rapping, etc, seem far too complicated and over engineered to me.

There may have been two cuffs but I do not think one was gimmicked while the other was not. I personally believe the one used in the escape was indeed fitted with a complex and properly operating lock, was not gimmicked, and he escaped using a duplicate key because we all know there is no way he picked a nested Bramah lock with his hands cuffed. Indeed, knowing this actual lock picking skills, he likely could not have done so with free hands either.

Steve Santini
Perry 04 Nov 2014
#98
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Ron

How would you know his ACTUAL lock picking skills? Not many outside of Houdini himself would know his ACTUAL lock picking skills. That's a very strong statement. I would not think Collins or Vickery knew Houdinis actual lock picking skills.
John Cox 04 Nov 2014
#99
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Ron

Ron might be onto something about this possibly being a prototype cuffs. Maybe after the final was made this prototype was given out for press purposes. We've seen the papers had various illustrations. Maybe this was the model passed around from paper to paper (Tatler took a photo). Not the most sexy explanation. But it seems a practical one.
Perry 04 Nov 2014
#100
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Ron

I can't imagine a supposedly one of a kind cuff would be given out to anyone in that day and age. The press would be invited to a locale.....office of the local theatre etc and there is where photos would be taken. In this case the photo was published days after the escape. The real question is...which cuff is Houdini being locked into in that well known photo. Key looks small...can't tell what cuff it is. Evidence we have on hand would indicate it's the tatler cuff.
Perry 04 Nov 2014
#101
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

I'm going to throw this out as a thought.

Could the Tatler cuff actually be the replica cuff prior to fusing the bow to the lock case?

Perhaps the Mirror cuff as we know it is indeed the cuff Houdini escaped from.

If this is possible then the only mystery is why did Houdini make the key so much larger? The only reason I can think of is the story that the key was passed to him in a glass of water is true and enlarging the key was Houdinis way of quashing any thought of that being the secret to his escape.

Steve Santini 04 Nov 2014
#102
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Ron

Perry,

I am locksmith.

I am also an escape artist.

Further, I am one of the folks who have had a chance to study up close and personal, handle, and even own a number of devices that Houdini himself used to open locks and restraints he used in his escapes.

The majority of them are altered or scaled down keys, keys fitted with extension rods, keys joined together so two can he carried and hidden as one, etc.

Mostly keys.

Sure, there are also lock picks but mainly for basic lever locks and, just because they are in his collection does not mean he even used them. Harry loved to collect things he was interested in.

Harry's escapes from manacles, cuffs, locks, etc were by and large conducted out of sight. Now, let's be logical. If you are cuffed and out of sight are you going to take a chance on MAYBE being able to pick open a restraint, (and possibly fail), or are you going to use a key you 100% know will get you out?

You use they key.

There are locksmiths of Houdini's day who also felt he was not the master lock picker he made himself out to be so this is not just my opinion.

Remove the hero worship and you have a guy, Houdini, who needed to get the job done in the most efficient way possible where failure was not an option.

And this he did. Usually by duplicate key.

I speak from knowledge and common sense. Not theory.

Steve Santini

Perry 04 Nov 2014
#103
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Ron

The entire premise of the challenge handcuff act is....a duplicate key. No surprise there. That does not mean Houdini was not a great lock picker. Certainly he escaped from his share of jail cells secured with jail locks. Many modern escape artists escape from jails with the cell door chained shut using master locks which I could pick in 6 seconds. Some actually try to convince the public that they are able to pick master locks with straight jacket buckles!!!! There is a a huge amount of revisionism concerning Houdini which to an extent I reject. After nearly 90 years after his death most still can't compete with him so they do their best to belittle his career.
Paul 04 Nov 2014
#104
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Ron

[/IMG]

It looks like a short key that is being held.
Paul
Steve Santini 04 Nov 2014
#105
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Ron

Or, "whoever."

No one, certainly not me, is belittling a feat of SHOWMANSHIP that still has people guessing all these years later.

That was Harry's particular genius.

Getting people to think the way he wanted them to.

Showmanship.

Something I will not even attempt to explain to some guy named "Perry" who no one here knows anything about.

Enjoy.

S.S.
Anonymous 04 Nov 2014
#106
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Re: Houdini Mirror Cuffs
Leo Hevia 04 Nov 2014
#107
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Ron

Riley's theory makes the most sense. Houdini would have experienced difficulty opening these cuffs even with the key. That ghost house looks small and cramped. It would have been more practical to rap the pair on your wrists open and walk out of the ghost house with the opened Copperfield cuffs.
dorothydietrich 04 Nov 2014
#108
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Ron

This is an amazing discovery. 110 years later! WOW!

Dorothy Dietrich here. I had discussed this escape on television on the internationally televised Travel Channel TV show โ€œMysteries At The Museum,โ€ that is still being shown both on the air and online. I tried my best not to make it an exposure of Houdini. Having researched this with many of those on the Handcuff.org site, including Mick Hanzlik, and many others and spending hundreds of hours of research on this I must chime in. I also have been a professional escape artist all my life. I have come to the following conclusions for your consideration.

Houdini would have considered this escape as critical to his success and well being as being thrown in a river where his life were at stake. It had to be fool proof. Houdini would have know he would escape from this no matter what. A Houdini ruleโ€ฆ he never got into anything that he felt from the start was not a done deal. He would not have had the key passed to him during the event by his wife or hidden in a pillow. That could mean failure should they not be allowed or stopped. These had to be close to or the equivalent of โ€œjumpโ€ cuffs. These had to be fool proof for Houdini. What if something went wrong with the complicated Bramah mechanism he was not used to escaping from, even with the key. Things can always go wrong and he knew it. As we now see, there were two working cuffs, and the non working silver one. The silver one was modeled after what we now call the DC cuff. The silver cuff was made, according to how they were stamped, BEFORE Houdini did the escape in 1904 and are modeled after the DC cuff, which therefore were already made before the escape. This means he had 2 working cuffs made. Why? Simple, one was gaffed and one was not. One for display, examination and for challengers, then and in the future. The other to use for this event.
As any professional escape artist here can tell you, who is a real worker, with all the confusion, and several of your own assistants around, and a good performers control of the situation Houdini would have been able at some point to switch in and out, what I call the โ€œjumpโ€ cuffs for the impossible DC Bramah ones. Could it be one could even figure a mechanism that when you turn the cuffs over they open? The second answer would be he had a second secret key, but why if the cuffs he was put in were gaffed. Who would know? If I were him, since this stunt would never be done again, I would destroy the โ€œjumpโ€ cuff never to be seen again. The short key was probably one of the originals, but he realized it was a mistake. It did not appear as mysterious as a larger key, which made for a better story. I think the keys made later should have been even twice as large.

That key in the picture where he is being locked up in appears to be the short one. Would love to see the original of this photo.

I do not believe the was a N. Hart. In those days word did not travel instantly from town to town. Houdini might not have thought this would be as big a story as it developed. It was probably a friend or assistant that brought the cuffs to the newspaper, and never to be heard from again.
Ian McColl 04 Nov 2014
#109
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Ron

If houdini had picked the bramah lock he would have milked it for all it was worth and lectured around the world on that subject alone. That would have put him in the same skill as hobb's who took 52 hours over 16 days to pick the bramah padlock challenge of 1851.

Houdini didn't pick the Bramah, he didn't have the skills. (also he didn't have to have the skills, as a magician there are other ways)


Ian McColl 05 Nov 2014
#110
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

as to Nat Hart, I don't think he existed.

I have read an article from a Sydney newspaper that had tried to trace the list of people involved in a Houdini packing crate challnge escape. The people listed couldn't be found.

I also tried to reseach a list of carpenters from Fitzroy and Collingwood, Vic. who also challenged houdini with a packing crate in 1910 and couldn't come up with anything. maybe Paul could use his magic of research to see about houdini's so called challengers.
Perry 05 Nov 2014
#111
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Ron

Never said he picked the lock. There are alternative ways that the cuff could have been opened. No one really knows it's true mechanism. We think we do but has anyone ever been allowed to examine the lock? I don't think so. No one knows the skill level Houdini had regarding lock picking. People guess, they may think they know but since Houdini has been dead 88 years it is impossible to know.
Perry 05 Nov 2014
#112
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Ron

Dorothy
The DC cuff does not look like the silver replica. The Tatler cuff however does look like the Silver replica. Mitt I believe discovered that the stamping on the silver replica could indeed indicate that the silver replica COULD have been made after the challenge date.
Paul 05 Nov 2014
#113
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Ron

Perry just beat me
The Solid Silver cuff was modeled on the Tatler cuff not the DC cuff. That has been shown by the direction of the middle hinge and the "foot" on the catch.

The Silversmith who made them has had other items stamped in Birmingham and London. These cuffs were stamped in London. They could have been stamped at anytime until mid 1904 with the 1903 mark according to Mick who has done extensive research into it.
Paul
Joseph Fox 05 Nov 2014
#114
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Ron

As fascinating as this "Mirror Handcuff Challenge" remains to us all here (even after 110 years)....Interestingly, its Houdini himself who seems to have quickly "moved on" from this big news event.

In the weeks-months-years that followed, one would have expected Houdini to exploit and "milk" this escape for all that it's worth. Not so.

There's not even a poster depicting Houdini in the "Mirror Handcuffs", and his triumphant sensational escape from them.

Its as though it was the "big news" for that particular week...and then he simply moved on. I always found that a bit odd.


But, good ole Houdini - he's still keeping us guessing!
Perry 05 Nov 2014
#115
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Ron

There may have been many posters that were made......however none that survive 110 years after the fact. If indeed Houdini concocted the entire escape he was presenting a silver replica to himself months later. That's another thing........why a silver replica??. Very odd detail for Houdini to think of doing if indeed this was a made up escape.
Leo Hevia 05 Nov 2014
#116
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Ron

It's true Houdini didn't commission a poster (as far as we know) and didn't thump his chest after the Mirror Challenge as he usually did after successfully completing certain escapes. My best guess was that too many people outside his inner circle knew the secret. If he had shouted a bit too loud, it could have had the unpleasant consequence of irritating someone out on the margins that could have spilled the beans. If I was Houdini, I would have done the same thing and let it quietly pass rather than risk someone coming out of the shadows to expose the mystery.
Perry 05 Nov 2014
#117
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Ron

That really is a silly statement. Months later Houdini presented to himself (if you believe the escape was a set up) a silver replica to commemorate his sucessful escape. Far cry from running
away from the event. What other known Houdini challenge escape received that level of publicity?
Perry 05 Nov 2014
#118
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Ron

A quick google search and I found a poster for a performance dated May 29 1905....Houdini winner of the great handcuff challenge London daily mirror....... So here we have an advert nearly a year and a half after the event. If this one exists that many months from the date of the event many many others were also produced.
NDC 05 Nov 2014
#119
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Ron

Perry, don't tell someone here their opinion is silly.

What skill set do you bring to the table????
Perry 05 Nov 2014
#120
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Ron

There is also another poster within Ken Silverman'sย Houdini!!! The Career of Ehrich Weiss witch depicts his Washington D.C. jail escape in 1906 (in which he escaped from the death row cell of presidential assassin Charles Guiteau). In the lower left corner of this poster is a large depiction of the famous mirror challenge photo. So here we are at least 2 plus years after the escape and Houdini is still publicising the event. So I found two in 10 minutes that cover more than 2 years post 1904.

Houdini Mirror Cuff 05 Nov 2014
#121
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Ron

No sillier than your belief, Perry, that Houdini actually picked the Bramah lock inside the Mirror Cuff. Perhaps you also believe that Houdini was above presenting himself with a trophy even after possibly orchestrating his own "challenge." I don't.

I can think of another challenge where Houdini prevailed and publicized it to the nines. After he was challenged by the German police and the higher courts, he commissioned a poster to advertise his success. Here is what Doug Henning and Charles Reynolds note about this poster:

Always publicity conscious, Houdini made the most of a minor challenge from a German policeman, bringing to court--and winning--a suit for apology. Houdini made it international news, and promoted the incident with this lithograph.

Perry 05 Nov 2014
#122
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Ron

I retract silly.....should say...not in tune with the facts.

Perry 05 Nov 2014
#123
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Ron

You stated he did not publicise the event and this is just untrue. The event post event was heavily publicized. Silver replica, posters exhibiting the event over 2 years later. I like basing conclusions on facts. Never stated he picked the lock.
Perry 05 Nov 2014
#124
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Ron

Found another poster. Wildabouthoudini dated 2/15/11. Huge poster with depiction of mirror escape near dead center. This seems to be posted outside the Hippodrome by the looks of it around 2 years after the Mirror challenge.
Paul Davies 05 Nov 2014
#125
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Ron

I have been trying to find the original article named above which appeared in Pearson's Weekly otherwise known as Pearson's Magazine, the UK version not the US version.It is first referenced here
http://trove.nla.gov.au/ndp/del/article ... dateAscers
on 26 Feb 1909.
I have been able to read through bound volumes from 1904, 1905 and the second half of 1906 at Monash University here in Melbourne Australia.
Does anyone have access to this publication in their area? I know it is available in University of Auckland, New Zealand up to 1907 and Victoria University, Canada to 1909. Each six month bound volume is indexed.

Also, I have been unsuccessful in finding a place that holds The Tatler to see if there is an earlier article that goes with the pictures we have seen.

Any help appreciated.
Chris Gower 05 Nov 2014
#126
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Ron

What a great response we have had to this thread. It does seem very strange that Houdini did not seem to follow this great escape with more publicity. It is also very strange that he made no mention of the escape in his book handcuff secrets which I think was originally published in 1906. There are no illustrations of the cuffs but he does show the Russian 1902 manacle, the French Letter Lock handcuffs and dedicates a whole chapter on the Spoof Manacle. One would have thought at least he would have shown a photograph of it??
I agree with Mick that Nathaniel Hart never existed back in the 1980 's I spent a week manually searching records at St Catherine's House without luck, I even looked for a John Nathaniel Hart as the Safe Company Hobbs Hart & Co had a John Mathias Hart as one of the owners again nothing. Regarding Houdini's ability on lock picking in my option he was a brilliant showman, I think he could easily pick his nose but not much else! Okay he had quite a collection of picks in the form of bent wires etc. but as far as I know he did not have any of the Hobbs two in one picks for lever locks and no tension wrenches for pin tumbler locks. He also illustrates a pick which he claims is a master key for Bramah Locks which we all know is rubbish. So regarding him picking the Mirror Cuffs no way, unless he swopped the cuffs there is also no way he would offer a reward to anyone who could open them even with both hands free.
The other odd thing is that he performed the escape in front of 4000 people and 100 press were present, why is there a lack of the escape being reported and more photographs? I am currently trying to look through copies of The Birmingham Gazette and The Birmingham Daily Mail, but not many are currently available. Regarding The Tatler again I have come to a blank regarding a 1904 copy, will carry on looking.
Chris

John Cox 05 Nov 2014
#127
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Ron

Here's that poster, Perry. I had forgotten about this. Now a lost poster as far as I know.

John Cox 05 Nov 2014
#128
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Ron

Actually, wrong to call it a "poster". It's a lobby display, looks like a large photo. One of a kind probably.
John Cox 05 Nov 2014
#129
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Ron

Ah, sorry, THIS is the poster you're talking about. (I haven't had my coffee yet.)

Indeed, a true Mirror Challenge poster image. I've wondered if this image existed on it's own like the Russia and Germany sheets.

John Cox 05 Nov 2014
#130
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Ron

Paul -- great job on the blowup of the photo. That really does appear to be this short key in the hand of the Mirror Rep. This helps make a case for the Tatler cuffs being the cuff Houdini escaped from that day. The key is the key!

Such an interesting thread. Thanks for all this great expertise. (I've linked to this on my blog. Top story.)
Perry 05 Nov 2014
#131
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Ron

So much for the idea Houdini did not advertise the Mirror escape. It was well advertised more than 2 years after the fact.
Anonymous 05 Nov 2014
#132
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

I wonder if the short key which appears to have been used led to the theory of the key being passed in a drink of water. May this have lead to another cuff being made with larger keys to dispel the story.
Steve Santini 05 Nov 2014
#133
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Ron

Another idea as to why two such cuffs may have been made might have to do with wrist sizes.

Indeed, it would be interesting to know if there is any variance in the wrist hole sizes of the 2 functional Mirror cuffs.

Shortly after performing the escape, no idea of exactly how soon after, it is reported in "Houdini: The Untold Story" by Milbourne Christopher, (if memory serves), that Houdini offered a reward to anyone who could do what he had done.

A man with small wrists and hands appeared on stage in an attempt to claim the cash prize offered and Houdini, being aware of this, locked the cuffs, threw them to this man and said, "Get them open now!"

If indeed Houdini threw out such a challenge for anyone to escape the cuffs as he had done perhaps the appearance of this smaller challenger made him wise up enough to have a slightly smaller pair of Mirror cuffs fabricated. Indeed, it would serve him well to have 2 different sizes should another handcuff king call him out.

Such a move would ensure that the next person wearing the cuffs would actually have to find some way of opening them to escape.

Steve Santini





Paul 05 Nov 2014
#134
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Chris,
I have done much the same as you in regard to Nathaniel Hart the Blacksmith and John M Hart the owner of Hobbs Hart & Co.(died 1887)
I have found 3 Nathaniel Hart blacksmiths, a father in son in Suffolk where the father was probably not alive in 1904 and the one in Hertford who became a Coachsmith (died 1907). None were ever in Birmingham, so the holes start to appear in the story right away.

John M Hart never had children, so there are no sons involved but maybe other relatives.

My area of research now is William Bennett. I can find no record of a Scottish newspaper man of that name at that time, but here are a few people of that name linked to newspapers by profession ie compositors, proofreaders etc, one is a finance reporter. But the challenger was a newspaper representative, not necessarily an employee. Also William Bennett claims to have been working for the theatres from 1904 onwards as a press agent.
My main suspect is an owner of 3 theatres in London and Coventry, near Birmingham. His son was also a theatre owner and his son-in-law named Sprague, a famous theatre architect. He could be our mastermind, skilled in deception.

The Search continues.
Paul
Perry 06 Nov 2014
#135
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Ron

Lots of pure speculation. I can pick pin tumbler locks....not a big deal and Houdini could not? I find it interesting that when there is no evidence to support a conclusion some draw conclusions anyway and err on the side to knock Houdini's abilities. Why? Houdini had thousands of lock picks yet all he could do is "pick his nose"? Crazy stuff I am sorry to say.
Leo Hevia 06 Nov 2014
#136
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Ron

Speculation. Absolutely. There are those that speculate Houdini had the skill to pick open those Mirror Cuffs while they were locked on his wrists and kneeling in a cramped, dark, small cabinet. Certainly, this is what Houdini wanted his audiences to believe, namely that he had The Power, as Patrick Culliton so eloquently described in The Key.

Look closely at the way Houdini's wrists are facing in opposite directions in that committee photograph. Even with the actual key in your fingers, it doesn't seem like an easy matter to reach the lock and turn the key when your wrists are clamped in opposite directions. This is not a handcuff with a flexible chain in the center. You might be able to release yourself with the key clamped between your teeth, but even that would not be so simple.

I'm sorry, I still haven't seen an actual Mirror Challenge poster. So far, all I see is that small photograph of Houdini with the Mirror Cuffs snapped on as part of a photo collage in the margins of his Jail Escape poster. Not exactly the center of attention in that Jail Escape poster, is it?
Ian McColl 06 Nov 2014
#137
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Ron

At a magic club [?] (Mick and others would know) Houdini was asked to pick the lock to allow everyone in or to open a room to turn lights on, as the meeting was set to start. nothing high security.

The lock was only a 'lever rim lock' according to the story.
Locks common to the period which were not complicated.

Most likely just 'case wards' or perhaps a 'bridge ward'. A two wire pick job at most and Houdini failed to open it.

As a locksmith who has spent most of my life making equipment for escape artists, I personally know that there are the skills that EA's publicly claim to have and things that they can actually do.
Rarely are the two, the same.


Perry 06 Nov 2014
#138
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Ron

So an obscure story on one night in Houdini's 52 years where you have no idea of the true details, no idea if he had the proper tools....nothing....your conclusion....all Houdini could do is pick his nose....quite illogical I am sorry to say. Why knock the man we admire without proper evidence?

I see many posters advertising his Mirror challenge. ..you said there were none. More than likely many are lost to time as we are talking 110 years ago.
Chris Gower 06 Nov 2014
#139
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Ron

Well said Ian, just come across an article in Linking Rings Dec 1947. Not sure if I can copy it here due to copywrite problems. It mentions three names that we have not come across. PONGO, VALADON and ALBINI. Seems that Pongo went on stage and tried on the Mirror Cuffs but failed, then Houdini was locked in them and escaped. Sorry folks yet another thread to follow!!
Chris

Ian McColl 06 Nov 2014
#140
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Ron

Perry, you write โ€œ no idea if he had the proper tools...โ€™

If I remember properly, he spent almost an hour trying, why? If he didnโ€™t have the right tools he could have said so and walked away. You might admire Houdini and believe everything said and written, but I am a realist, Houdini was a man of his times not ours.
Perry 06 Nov 2014
#141
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http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Very strange that certain posters do there best to degrade Houdini. He had thousands of lock picks but all he could do is pick his nose. I can pick pin tumbler locks in seconds its no big deal but Houdini could not. Houdini ran from the Mirror challenge after the fact but I found 4 posters in 15 minutes. Add to this months later Houdini advertised concerning the silver replica presentation. The stance you few poster take is very wrong, revisionist, and is emotionally not factually driven. What motivates you to take the negative side of every point when there is little to no evidence to support your claim?

Lets just pick two.....why would you claim Houdini could not pick a pin tumbler lock? Please explain. If I can do it he could also.

Why would you claim a great escape artist with literally thousands of lock picks....."could only pick his nose"?



Ian McColl 06 Nov 2014
#142
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

No-one is degrading Houdini, some of the people here posting messages and their ideas wouldn't be at this thread if it wasn't for the feats of Houdini.

I myself made a dedicated life to designing and making gear because I wasn't talented enough to be on stage and sell myself like Houdini did so famously. Some have nicely called me the modern Jimmy Collins and I am happy to be the guy that helped others.

So let us not worry about you and how you hold Houdini your god. I don't worship anyone or anything.

knowledge allows one to get past the myths.
John Cox 06 Nov 2014
#143
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

I do worship Houdini. Ridiculously (or is that Religiously?).

But when it comes to handcuffs and lock picking, I defer to those who post here, especially Mr. McColl. This is a place to learn.
Perry 06 Nov 2014
#144
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

All I hear from you and several others are negative comments concerning his skill. Do you realize pointing to one lock on one night is in no way evidence to back your claim? Pretty shamefull I am sorry to say. I really would like to understand the mentality behind the negativity. Its certainly not based of factual interpretation of the evidence. Is it that you are locksmiths and because of this feel your "better than Houdini? "




Mick Hanzlik 06 Nov 2014
#145
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

I never join in on any arguments or negativity on these posts, but I have said here, many times, that Houdini couldn't pick the Mirror Cuffs IN THE TIME that was reported for this challenge. The "nested" Bramah needed so many picking operations, just to get the cylinder in the lock to make one complete revolution, (and it is reported that 6 revolutions were required) thst he just wouldn't do it in just over one hour. Also, the way that the cuffs were put on him, access would be pretty difficult, if not impossible with 2 picks, which would need to be used at the same time. (The locksmiths know what I mean)

In fact I built my replicas to see what access would be like with the cuffs on, and even with the key in the keyhole, I'm just not able to push the key against the internal springs and then revolve it 6 times.
magicusa 06 Nov 2014
#146
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

In keeping with what Mick says, as I said above, the cuffs Houdini escaped from at The Hippodrome, were probably these Tatler cuffs.
They were most likely not opened with a key or pick, but were some version of a "jump" style cuff.
Dorothy Dietrich, Houdini Museum, Scranton, PA
paul 06 Nov 2014
#147
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Someone previously asked why there was not much reported on the Challenge if there were 100 pressmen at the Hippodrome.
Here are 15 publications to be checked for photos. Tatler probably did not need to write an article (just pictures) if all the papers had already.
[/IMG]
The Daily Illustrated Mirror should have had a monopoly on photos. it was their challenge.
Paul
John Cox 06 Nov 2014
#148
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Nice find. Yeah, the Mirror Challenge was WILDY publicized both before and after the escape in newspapers and magazines as far away as Australia. The full account was also featured in all of Houdini's pitchbooks. It might be Houdini's most publicized challenge escape. The comment about Houdini not publicizing it I think was more about there not being a proper poster. But there's evidence that there was a Mirror poster, much like the Russian Transport Van and Slander in Germany posters, but it's been lost to time.
ronspitz 06 Nov 2014
#149
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

I is great to hear the opinions of everyone and good information is being surfaced. It is also great to hear from you Dorothy and I appreciate your comments. I believe, as I have stated in above posts the the cuff is gaffed. I would appreciate if anyone who has handled or seen the DC cuff to contact me by email, ronspitz@msn.com. I have a basic question on the construction and prefer not to post my idea on a public forum as to how it may be gaffed.

Ron
Perry 06 Nov 2014
#150
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Thank you Paul and John. No one is saying he picked the cuff. He certainly could have if the cuff locking mechanism is not what we think it is. Also as we all should know there are other avenues he could have used to escape from the cuff that would not involve picking the lock.

Since no one has ever really examined the Mirror cuff to determine the complexity of the lock how does anyone really know what it contains?
magicusa 06 Nov 2014
#151
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Its an old carny trick. Those here who have worked side shows, carny or a ten in one will know what I am talking about. Houdini was from this kind of show business. I worked them when I started as a teenager. What you see is NOT what you get. You see a giant ten foot long balloon called the level or the worker. When you take yours home it is a smaller one. When you buy the mouse you go home with a wire gimmick. The worker that the carny uses has a human hair. It is a bait and switch. The cuff DC has and that the world knows of with the big key was for challengers, and for show. The Tatler, what I call โ€œjumpersโ€ was the worker.

Houdini needed a way to top them all as the true King of Handcuffs. The Mirror Cuffs were the perfect tool to accomplish that goal. He knew for sure that no one could escape from the DC cuff. That's why it exists. The "jumpers" are probably at the bottom of the ocean.

Anyway, that's how I would do it.
Dorothy Dietrich, The Houdini Museum, Scranton, PA
Perry 06 Nov 2014
#152
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

If that were the case why make the silver replica and the Tatler cuff match exactly in appearance but make the DC cuff look so different? If Houdini could produce two identical cuffs why not produce three? Could the Tatler cuff in actuality be the silver replica? They look so close in appearance.
magicusa 06 Nov 2014
#153
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

If that is the case the answer is obvious. The Tatler (Jump Cuff) and the silver prize replica were made first.
Then he realized he needed an impossible one with a large theatrical key.
There may have been a technical reason the DC one looks a bit different.
Who would know they were different?
No one would ever see them side by side.
Dorothy Dietrich, The Houdini Museum, Scranton, PA
Mick Hanzlik 06 Nov 2014
#154
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Totally agree Dorothy. The DC cuffs could have been made after the event, so that Houdini could carry out his own challenge for anyone to try to open them, in the knowledge that the locks would foil anyone.

But then again, there are reports of the cuffs being seen by many of "London's Finest Locksmiths", who said what an exquisite piece of work they were. If the Tatler cuffs were shown to them, maybe they would have realised that they were not so good, so I think The DC cuffs were shown to the locksmiths, and on the day of the event, the Tatler's were used. If they were simple, and just rapped open, they could maybe have been snapped closed, and the key in the stage picture, was just there to open them before the challenge.

I still think that the DC cuffs needed a key to open and close them though
Perry 06 Nov 2014
#155
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Has any locksmith ever examined the DC cuffs? Does anyone really know how that lock within that cuff works or are we working with educated guesses?
Ian McColl 07 Nov 2014
#156
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Perry, the experience and knowledge that people have here who are posting is more than enough for them to estblish their opinion. We each could write reams of text to state our cases completely. I would guess that this would not satisfy you. Most of us know the construction of the nested cylinder based on the photos and the axial slider mechanism.

People aren't just pulling information out of a hat or making it up. Nearly everything written here is based on fact or observation. only you seem to ask the question of which we already know the answers.

post your email address and I will email you the book "A disertation of the construction of locks by Joesph Bramah 1785
Perry 07 Nov 2014
#157
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Ron

Really?

The person who stated this challenge was never advertised or promoted by Houdini after the escape was basing this completely incorrect statement on facts?

The person who stated Houdini could only pick his nose was basing this statement on facts? Houdini only owned thousands of lock picks.

The person who stated Houdini could not pick pin tumbler locks was basing this statement on facts? A typical Pin tumbler lock is no huge deal to pick.

I see a tremendous level of speculation not based on fact. Funny that most all the speculation paints a negative picture of Houdini. Even though there are no facts to back up the speculation the speculation is negative. What does that tell you?

As one example on your part you have never handled the cuffs, never seen them unlocked, no idea if they are spring loaded, no idea if they could be rapped open etc. certainly by looking at photos of the key one can determine certain attributes of the cuff but not everything concerning its construction.

I am no Houdini neophyte. I have been around this game since 1968. I have spoken with quite a few people who knew Houdini over the years.

I have no problem talking facts about Houdini based on the known record. Constant negative speculation I question as any educated person should.
Ian McColl 07 Nov 2014
#158
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

so the book was of no interest to you??
NDC 07 Nov 2014
#159
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Ron

there are no photos of any picks required to open pin tumbler locks.

There are not thousands of houdini lock pick so your claim is WRONG.

Paul Davies 07 Nov 2014
#160
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

[/IMG]
[/IMG]
While some of this is new to me, it might not be to others. Any idea when the original interview was published from which this seems to be extracted.
Anonymous 07 Nov 2014
#161
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

oops
[/IMG]
Ian McColl 07 Nov 2014
#162
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Ron

Great work Paul.

Nathan Hart, good likeness but the one I knew was taller.
Paul 07 Nov 2014
#163
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Ron

So Nathaniel Hart met Houdini earlier in Birmingham who picked every lock put on him. Does that include the mirror cuff which was not perfect then?? or did he not try it??)

Obviously the challenge cuff was made especially for Houdini and not picked up on a whim by the Mirror Journalist. The thing about his deformed hand is curious and I've always wondered why one side of the Mirror cuff appears bigger and rounder than the other side. There are a few possibilities for that now. Note how at the challenge the cuff seems to be exactly on the wrist, not the forearm.
Paul
Ian McColl 07 Nov 2014
#164
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

When Houdini wrote his book 'handcuff secrets' he filled it with all the secrets that OTHER performers use. Houdini created in the mind of the reader, that Houdini must have different methods and made his methods mysterious.

The beginning of this article describes rapping a darby and that the Mirror cuff was very different, I donโ€™t believe it and I reckon that's just the smoke screen.

Houdini would have kept it simple.

-Paul- for a man that wasnโ€™t into Houdini, just handcuffs, you are doing a remarkable job.
Paul 07 Nov 2014
#165
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Thanks Ian. It is still all about the cuffs for me and the truth if we can find it. I try not to get caught up in the real theatre of it but it helps to explain a few things. Reading between the lines, there may have been a "Mirror" cuff that Houdini picked when he first met Nathanial Hart (if that was his real name), followed by the perfected one. The picked one was used in the challenge and the perfected one shown around for inspection. I try not to offer theories because I'm no expert but...
Ian McColl 07 Nov 2014
#166
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

If there was a Nat Hart, why wasn't there a photo? and why weren't all the publications of the time making a big deal about the guy who was beaten by Houdini and also seeking an interview?

Interesting to see the drawing of Nat was in his workshop with tongs in hand just so we, the readers, actually knew he was a blacksmith!

It is also unlikely that a humble blacksmith was even familiar with American made cuffs and the so called weakness's of same This sounds like a line straight out of Houdini's mouth (or PR staff)
Paul 07 Nov 2014
#167
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Yes, indeed, making horseshoes. I had seen that image before in the Illustrated Mirror. Illustrated because they didn't use photos. Sometimes he's called a safe lock maker, sometimes a blacksmith, he spent his youth making handcuffs. Of course he could be all those things, but from one interview that we know of the story keeps changing. It's a tangled web indeed. If he was a friend of Houdini like Tom Froggatt, then maybe Houdini introduced him to all sort of foreign handcuffs. But as you imply Ian, it could all be straight from a script.
Paul 07 Nov 2014
#168
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

The other thing is, why mention Houdinis hand, or that the had met Houdini prior to the challenge etc. That all goes against what Houdini would want us to know or believe?? Was it Hart's way of calling him out after being defeated.
Perry 07 Nov 2014
#169
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Ron

Fantastic find. So possibly there was a N Hart. Lets hear more incorrect speculations.

LK 07 Nov 2014
#170
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

First off I wish to state that I am no way a HOUDINI expert,seeing that there are many here that are,
I have a question
maybe someone can answer.
why is there finger knurling on the ends of the lock tub ?

LK D~D
magicusa 07 Nov 2014
#171
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

I think we all need to back track here. This is all Houdini made up publicity. Did we all forget that it is pretty much established that Houdini had 5 special cuffs made, very likely by Thomas Froggatt, all with a special back story and to be used against challengers. They were the Bell Handcuffs, the Russian Manacle, the French Letter Handcuffs, the Hungarian Handcuffs and the Mirror Handcuffs. You are all being sucked in by Houdini's own wonderful self made up legendary stories that carry on today, even in this thread! Come out of the fog!
Dorothy Dietrich, The Houdini Museum, Scranton, PA.
Perry 07 Nov 2014
#172
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Please provide the documentation that the Mirror cuffs were made by Frogghat. Sounds like more false speculation not supported by facts.

I again strongly ask that speculation NOT be presented as fact. We have already seen strong speculated statements proven totally wrong over the last few days. I suspect with Paul's incredible efforts more false claims will be shown to be just that in short order.
holstcollection 07 Nov 2014
#173
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Hi all,

This thread, according to the great interest and the number of contributions, could be an embryo for a brand new
Forum; the Forum of the Houdini Mirror Cuff. There are 171 postings so far which I believe is a record.
Just my thoughts...

Have a nice weekend all,

Lars

www.holstcollection.com






Perry 07 Nov 2014
#174
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

I suggest a section JUST for Paul's findings concerning the Mirror cuff challenge. He has already found new info just in these past few days. What an incredible job he is doing.
Perry 07 Nov 2014
#175
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Another thing is this last story was published 2 months after the escape in 1904. Why dredge it up again risking even more someone from Birmingham asking the simple question...who is this guy I never heard of him? Houdini performed in Birmingham so the less publicity concerning the maker of the cuffs the better. (Since many on here speculate as fact that he did not exist). However the opposite is true...the event was super highly publicized before and mostly after. INCLUDING publicizing the maker of the cuffs. I don't buy that someone with so much to lose as Houdini would publicize a man who does not exist so extensively. It would only take one story and THIS story would be massive that would claim Houdini was a fraud and the whole Mirror challenge fake to ruin his entire career. Now whether N Hart was working in collusion with Houdini may be a different story. However the more people in the know over time the more chance claims that Houdini was a fraud could arise. I don't think Houdini would let loose ends such as this exist as someone would be bound to talk over time.
Mick Hanzlik 07 Nov 2014
#176
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Ron

Perry is correct. The connection between Thomas Froggatt and the Mirror Handcuff is pure speculation. I think it was myself who first mentioned this in an article I wrote in The Handcuff Annual, a few years ago.

However when speculation is all he have to go on, it certainly seems to encourage others to join an and add their thoughts, which is not a bad thing.

I still think this connection is worth investigating, for the following reasons.

Houdini and Froggatt were friends for over 20 years. Fact.

Houdini knew Froggatt in 1904. Fact.

Froggatt had a handcuff factory which Houdini would visit when in Birmingham.

Froggatt locked Houdini in shackles on at least one occasion.

No proof here (yet) but certainly not worth discarding.

On another topic - How did Harry end up with the Cuffs? It is reported that Nathaniel would never sell them, so why did Harry get them?

Also, why wasn't Nathaniel in the audience? Surely it would add to the story if Harry invited Nathaniel on the stage, as the creator of such a good handcuff. He could even have locked them on him, then when he had beaten the challenge, Nathaniel could be praised as creating Houdini's most difficult challenge. A win win situation


Perry 07 Nov 2014
#177
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Speculation is fine. Stating such obvious falsehoods as...Houdini could only pick his nose, could not pick tin tumbler locks or that the Mirror escape was not publicized after the event I think only confuses the issue and indeed falsely belittles Houdinis abilities and legacy.

Could N Hart have worked with Froggat? However thinking this through why not just use Froggat? I still go back to highly publicizing a man who does not exist opens up Houdini big time to be labeled a fraud. England's not a huge country and people from Birmingham especially reporters would jump on the chance...at some point in time....to investigate what would be front page headlines. I agree Houdini was a meal ticket for newspapers but there were many publications in England at the time. Any one could have turned the tables on Houdini if N Hart was a fictitious person.
Perry 07 Nov 2014
#178
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

The other point is perhaps Houdini did not have the original cuffs in his possession after the escape. The Tatler cuffs would go back to Hart and Houdini would then commission ...Froggat to make a similar but not exact duplicate cuff. This is the cuff we call the DC cuff today.
Chris Gower 07 Nov 2014
#179
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

Paul, you have done wonderfully in your finds. I have been trying to help track down this character called Will A Bennet, no luck. In doing so I thought I would research a little about the Hippodrome London. It was taken over in 1900 by Edward Moss, Richard Thornton and Oswald Stroll who completely refurbished it. Edward Moss became its manager for five years so would have been in charge when the Mirror Cuff challenge took place. He died in 1912
Richard Thornton died in 1922 . In the article written by Will A Bennet he says he latter went to work for Stroll as the press representative at the Coliseum. The Coliseum has an chequered history but in 1907 Stroll did relaunch it but sold it a few years latter when he set up The Stroll Picture Corporation in 1920, he died at home in Putney in 1942. So at least we can establish Stroll existed.
There are several photos available of Edward Moss and I thought I wold try to find if he was present on stage when the photo was taken, the problem is in 1904 virtually everyone had huge handlebar moustaches and they all look very similar!
Once again I have checked virtually every combination to find a Nathaniel Hart both in the 1901 and 1911 census - he DOES NOT EXIST.
Some of the above info came from the book written by John Major one of our ex prime ministers called My Old Man who knew Houdini and was a comedian and singer.
Chris
Perry 07 Nov 2014
#180
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Ron

Another idea......maybe Hart is in fact Froggat?

MickHanzlik1 07 Nov 2014
#181
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Ron

Paul Davies 08 Nov 2014
#182
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Ron

Ok, just found this. Make up your own mind whether it say Hart, Hurt or Hunt. You have to consider mis-hearing an accent, mis-writing the name and mis-transcribing to document for search engines.
Nathaniel was unfit for work at the time of the census, his son was a locksmith - key.
Short Heath, Staffordshire is about 15-20 miles from the centre of Birmingham and is close to Walsall, Willenhhall and Wolverhampton known for their locks.
[/IMG]
[/IMG]
Paul
Perry 08 Nov 2014
#183
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Ron

Amazing. You should be given an award Paul. You found the smoking gun. N Hart did exist. Now we need to digest what all this means. Certainly opens up the original idea that this was a legit challenge.
Perry 08 Nov 2014
#184
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Ron

Amazing. You should be given an award Paul. You found the smoking gun. N Hart did exist. Now we need to digest what all this means. Certainly opens up the original idea that this was a legit challenge.
LK 08 Nov 2014
#185
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Ron

I guess no one know the answer to my question !

LK D~D
ronspitz 08 Nov 2014
#186
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Ron

LK--I have wondered about the same thing. They do not appear on the Tatler cuffs and that is one reason I think the Tatler's were a prototype. I think they were part of a gaff structure of the cuff. I have been working on two ideas on how they might be gaffed but after obtaining other information I have dis-guarded both ideas, unfortunately.

Ron
Paul 08 Nov 2014
#187
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Ron

Don't be too quick to claim this Nathaniel in the 1901 Census as our man. He appears in most Census as HUNT, but that might be the proper name for the man we are looking for. It seems in 1871 he was an agricultural labourer, 1881 a coal miner, 1891 a coal miner, no occupation in 1901, 1911. His Locksmith son, Ernest, became a coal miner also by 1911.

Can any of our Houdini experts explain to me the references to Houdini's deformities or contortions, especially of the hand?

Paul
Ian McColl 08 Nov 2014
#188
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Ron

Hi Paul, I don't think that the deformity is to be taken literal. The act of being able to slip his hand, to contort it, may have been considered a deformatity.

The word spastic and cripple were used in the same era and meant different things.
Ian McColl 08 Nov 2014
#189
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

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Ron

The ends of the Mirror are knurled.
Knurling is both decorative and a way to finish an area which you know is otherwise going to be marked or scratched. It is also a method of making mundane its have that little bit of class or quality. Bramah furniture locks of the time has knurl edge cylinders.

The knurling has also inspired some theories, is this what comes to mind?
WLOB 08 Nov 2014
#190
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Stating such obvious falsehoods as... โ€œYou found the smoking gun. N Hart did exist.โ€
I think only confuses the issue and indeed falsely belittles Houdinis legacy
magicusa 08 Nov 2014
#191
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I believe the deformed thing was just another Houdini red herring, like the formidable DC cuffs and the non existing Nathaniel HART.
Dorothy Dietrich, Houdini Museum, Scranton, PA.
lauher 08 Nov 2014
#192
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

I am closing this thread simply because it is getting to long to load for some people.
Please continue in the new thread. I hope someone can help me archive the information in this thread in a more readable form.
Joe
John Cox 23 Aug 2015
#193
Here is an interesting eBay item with two photos one being the Mirror Cuff and key.

http://www.ebay.com/itm/Antique-Print-o ... 20edafbf3a

Ron

Old thread, I know, but I wanted to share a pic of the Mirror Cuffs that I haven't seen before:

http://www.wildabouthoudini.com/2015/08 ... cuffs.html