dorothydietrich 04 Nov 2014
#108This is an amazing discovery. 110 years later! WOW!
Dorothy Dietrich here. I had discussed this escape on television on the internationally televised Travel Channel TV show โMysteries At The Museum,โ that is still being shown both on the air and online. I tried my best not to make it an exposure of Houdini. Having researched this with many of those on the
Handcuff.org site, including Mick Hanzlik, and many others and spending hundreds of hours of research on this I must chime in. I also have been a professional escape artist all my life. I have come to the following conclusions for your consideration.
Houdini would have considered this escape as critical to his success and well being as being thrown in a river where his life were at stake. It had to be fool proof. Houdini would have know he would escape from this no matter what. A Houdini ruleโฆ he never got into anything that he felt from the start was not a done deal. He would not have had the key passed to him during the event by his wife or hidden in a pillow. That could mean failure should they not be allowed or stopped. These had to be close to or the equivalent of โjumpโ cuffs. These had to be fool proof for Houdini. What if something went wrong with the complicated Bramah mechanism he was not used to escaping from, even with the key. Things can always go wrong and he knew it. As we now see, there were two working cuffs, and the non working silver one. The silver one was modeled after what we now call the DC cuff. The silver cuff was made, according to how they were stamped, BEFORE Houdini did the escape in 1904 and are modeled after the DC cuff, which therefore were already made before the escape. This means he had 2 working cuffs made. Why? Simple, one was gaffed and one was not. One for display, examination and for challengers, then and in the future. The other to use for this event.
As any professional escape artist here can tell you, who is a real worker, with all the confusion, and several of your own assistants around, and a good performers control of the situation Houdini would have been able at some point to switch in and out, what I call the โjumpโ cuffs for the impossible DC Bramah ones. Could it be one could even figure a mechanism that when you turn the cuffs over they open? The second answer would be he had a second secret key, but why if the cuffs he was put in were gaffed. Who would know? If I were him, since this stunt would never be done again, I would destroy the โjumpโ cuff never to be seen again. The short key was probably one of the originals, but he realized it was a mistake. It did not appear as mysterious as a larger key, which made for a better story. I think the keys made later should have been even twice as large.
That key in the picture where he is being locked up in appears to be the short one. Would love to see the original of this photo.
I do not believe the was a N. Hart. In those days word did not travel instantly from town to town. Houdini might not have thought this would be as big a story as it developed. It was probably a friend or assistant that brought the cuffs to the newspaper, and never to be heard from again.