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Handcuff Annual 2006 - Reminder

4 visible archived posts · 4 preserved total · topic ID 608
Original topic ↗Recovered images
Joe Lauher 05 Jun 2005
#1
It has been about two months since my first announcement of the Handcuff Annual 2006. A copy of the original message can be found below.

Many people have proposed very interesting contributions for the annual. I think it will be a great success. But of course it is time to remind everyone that now is the time to start working on your contribution if you have not already done so. I would like a first draft of everyone's contribution by June 30.

If you would like to participate, but have not yet contacted me, please do so immediately. I still have room for more.

Thanks very much to all for you help with this project.

Joe


----------------------------
Handcuffs.Org
March 26, 2005

Dear Friends

I wish to announce and solicit your contributions for the "The Handcuff Annual - 2006."

This will be a bound book with a “magazine” format with contributions from people in the world wide restraint collecting/escape artist community. The physical binding and paper of the book will be like my British Handcuffs book, but the annual will be in a two column format with a smaller font so the information density will be higher. An emphasis would be given to good photographs. The book will be say 150-200 pages long with some (25-30) color pages. I learned in my first book that the black and white pictures are good enough for cuffs, but color will be very nice for pictures of people or events and displays of entire collections.

The annual will not be just another encyclopedic book on handcuffs; instead I plan to include a variety of features. But it all depends upon contributions from the community. I want this to be a "fun" project that everyone can participate in. If it is successful it can become a true "annual" and we can do it again next year.

Here are some ideas to get you started, but please feel free to suggest almost anything within the general theme.

1. Feature articles on specific handcuffs or lines of handcuffs form the past. For example: Froggatt Handcuffs, the handcuffs of East Germany, or even better - the handcuffs of Eastern Europe. Mckenzie Mitts, cuffs by Mattatuck, or Gill or you name it. The key would be a good set of photos, they will be reproduced in high quality black and white on glossy paper with color available for special items.

2. Public Collection Displays. Photographs of public collections from around the world. This is something where everyone could participate. Just send a photo or two or three of a public collection that you have visited. If you want to write a full article that would be even better.

3. Feature articles on specific private collectors or collections. These would be similar to the Fred Patella or Stan Willis articles on my web site. It would be very nice if one collector could write an article about a visit to another.

4. Articles on the technical aspects of restraints. Perhaps someone might write an article similar to the ones that Dick Norman wrote for the Locksmith Ledger back in the 1950s. Maybe someone could write about the manufacturing process.

5. A photographic “highlights” or gallery section asking for pictures of unusual cuffs from collectors around the world. All one needs to do is to submit a high quality picture and a short description.

6. A section devoted to "oddballs" or "unknowns" cuffs that no one can identify. This could be great fun. I have a couple cuffs that may be unique. I am sure that others do as well. Again all you would need to supply would be a picture and a short description.

7. Feature articles on specific escape artists of the present. One idea is to ask one escape artist (or fan) to write about one of his or her colleagues, perhaps using an interview format. The key would some nice color pictures, which could be publicity shots, but original pictures would be better.

8. Articles on escape artists of the past. This would depend upon the availability of some good pictures. A collection of pictures of old brochures would be great.

9. A gallery of pictures of “escape events” that have taken place in the last year. I will solicit contributions at the Magic Café web site. A report of the United Kingdom Escape Artist meetings would be most welcome.

10. A section devoted to old ads and advertising brochures. We can do this for restraints, but also for escape artists of the past. Any 19th century advertising would really be welcome.

11. Personal stories. How did you acquire that special cuff? How did you get started in collecting? Do you have a particularly good eBay story?

12. A new products section, showing interesting new cuffs on the market as well as products intended for the escape artist community.

13. Anything else you care to suggest.

So what should you do if you wish to participate? Send me your tentative ideas as soon as possible. If you do this I can make sure that I do not have two people doing the exactly same thing.

What format do I need? Text can be in almost any format, although Microsoft Word would be ideal. Pictures need to be of high quality. We will print at 300 dpi so a picture that spans a full page needs to be at least 2000 pixels wide. Pictures than span a single column won't need so many pixels. Color pictures can be submitted, but I will have to ration color since it will be the most expensive part of printing the book. Scans of old brochures, ads or pictures should be done at the highest resolution you can.

What will I do with your contribution once I receive it? I will edit and format it to fit into the style of the annual and I will then send it back to your for your final approval. I will also ask others to help me review and proofread the contributions. (Volunteers would be most welcome.)

When should you submit? As soon as you can, but no later than June 30 for a first draft. Sooner is much better than later.

Who will own the copyright? The copyright to all submitted materials would be retained by the original author or photographer. I only ask that I be given permission to include your contributions in the Annual, including any possible reprint, and to post your contribution on the Handcuffs.Org web site sometime in the future. I will take particular care to give full credit and acknowledgement to each author. You should of course make sure that you own the copyright or have permission to use any materials that you submit. Don't take pictures off the web or out of other books without permission unless they are clearly in the public domain.

What do you get for participation? Fame and glory will be the main compensation. Anyone making a major contribution will get a free copy of the annual. Anyone making a smaller contribution (like a single picture) will be able to buy a discounted copy of the annual at the cost of printing and postage. (I can assure you that this will not be a money making project.) I want to hold the book down to a reasonable cost, in the $25-$30 range.

When will the book be published? If I can get the contributions by the end of June, then the book should be available in time for release at the Cannon's Escape Artist convention in October.
This will be the goal, but one never knows.

So please send me your thoughts and comments. Is this a good idea? Would you like to participate?

Thanks very much.

Joseph W. Lauher
lauher@handcuffs.org

http://www.handcuffs.org/handcuff_annual_2006.pdf

Joe Lauher 14 Jun 2005
#2
In the last ten days or so many exciting submissions have arrived.

Stan Willis, Chris Gower, Mick Hanzlik, Guenter aka Atame, Stuart Burrell, Bruce Thompson, Cindini, Gordon Gluff, Lars Holst, Michael Bush have sent in material. I have heard from others and more is on its way.
Thank you all very much.

There is still room for others to participate. Your contribution does not need to be elaborate.

If you are a collector you can send in a picture of that one special cuff in your collection. Or perhaps one of those pictures you took last summer when you visited the police museum. Maybe you have a short story to tell about one of your acquisitions.

If you are and escape artist just send a picture of one of your performances. Or a copy of that story you love to tell your friends.

I am sure the annual is going to be a great success. Please join in if you can.
thanks

Joe

Joseph W. Lauher
lauher@handcuffs.org

http://www.handcuffs.org/handcuff_annual_2006.pdf
Thomas Blacke 15 Jun 2005
#3
It has been about two months since my first announcement of the Handcuff Annual 2006. A copy of the original message can be found below.

Many people have proposed very interesting contributions for the annual. I think it will be a great success. But of course it is time to remind everyone that now is the time to start working on your contribution if you have not already done so. I would like a first draft of everyone's contribution by June 30.

If you would like to participate, but have not yet contacted me, please do so immediately. I still have room for more.

Thanks very much to all for you help with this project.

Joe


----------------------------
Handcuffs.Org
March 26, 2005

Dear Friends

I wish to announce and solicit your contributions for the "The Handcuff Annual - 2006."

This will be a bound book with a “magazine” format with contributions from people in the world wide restraint collecting/escape artist community. The physical binding and paper of the book will be like my British Handcuffs book, but the annual will be in a two column format with a smaller font so the information density will be higher. An emphasis would be given to good photographs. The book will be say 150-200 pages long with some (25-30) color pages. I learned in my first book that the black and white pictures are good enough for cuffs, but color will be very nice for pictures of people or events and displays of entire collections.

The annual will not be just another encyclopedic book on handcuffs; instead I plan to include a variety of features. But it all depends upon contributions from the community. I want this to be a "fun" project that everyone can participate in. If it is successful it can become a true "annual" and we can do it again next year.

Here are some ideas to get you started, but please feel free to suggest almost anything within the general theme.

1. Feature articles on specific handcuffs or lines of handcuffs form the past. For example: Froggatt Handcuffs, the handcuffs of East Germany, or even better - the handcuffs of Eastern Europe. Mckenzie Mitts, cuffs by Mattatuck, or Gill or you name it. The key would be a good set of photos, they will be reproduced in high quality black and white on glossy paper with color available for special items.

2. Public Collection Displays. Photographs of public collections from around the world. This is something where everyone could participate. Just send a photo or two or three of a public collection that you have visited. If you want to write a full article that would be even better.

3. Feature articles on specific private collectors or collections. These would be similar to the Fred Patella or Stan Willis articles on my web site. It would be very nice if one collector could write an article about a visit to another.

4. Articles on the technical aspects of restraints. Perhaps someone might write an article similar to the ones that Dick Norman wrote for the Locksmith Ledger back in the 1950s. Maybe someone could write about the manufacturing process.

5. A photographic “highlights” or gallery section asking for pictures of unusual cuffs from collectors around the world. All one needs to do is to submit a high quality picture and a short description.

6. A section devoted to "oddballs" or "unknowns" cuffs that no one can identify. This could be great fun. I have a couple cuffs that may be unique. I am sure that others do as well. Again all you would need to supply would be a picture and a short description.

7. Feature articles on specific escape artists of the present. One idea is to ask one escape artist (or fan) to write about one of his or her colleagues, perhaps using an interview format. The key would some nice color pictures, which could be publicity shots, but original pictures would be better.

8. Articles on escape artists of the past. This would depend upon the availability of some good pictures. A collection of pictures of old brochures would be great.

9. A gallery of pictures of “escape events” that have taken place in the last year. I will solicit contributions at the Magic Café web site. A report of the United Kingdom Escape Artist meetings would be most welcome.

10. A section devoted to old ads and advertising brochures. We can do this for restraints, but also for escape artists of the past. Any 19th century advertising would really be welcome.

11. Personal stories. How did you acquire that special cuff? How did you get started in collecting? Do you have a particularly good eBay story?

12. A new products section, showing interesting new cuffs on the market as well as products intended for the escape artist community.

13. Anything else you care to suggest.

So what should you do if you wish to participate? Send me your tentative ideas as soon as possible. If you do this I can make sure that I do not have two people doing the exactly same thing.

What format do I need? Text can be in almost any format, although Microsoft Word would be ideal. Pictures need to be of high quality. We will print at 300 dpi so a picture that spans a full page needs to be at least 2000 pixels wide. Pictures than span a single column won't need so many pixels. Color pictures can be submitted, but I will have to ration color since it will be the most expensive part of printing the book. Scans of old brochures, ads or pictures should be done at the highest resolution you can.

What will I do with your contribution once I receive it? I will edit and format it to fit into the style of the annual and I will then send it back to your for your final approval. I will also ask others to help me review and proofread the contributions. (Volunteers would be most welcome.)

When should you submit? As soon as you can, but no later than June 30 for a first draft. Sooner is much better than later.

Who will own the copyright? The copyright to all submitted materials would be retained by the original author or photographer. I only ask that I be given permission to include your contributions in the Annual, including any possible reprint, and to post your contribution on the Handcuffs.Org web site sometime in the future. I will take particular care to give full credit and acknowledgement to each author. You should of course make sure that you own the copyright or have permission to use any materials that you submit. Don't take pictures off the web or out of other books without permission unless they are clearly in the public domain.

What do you get for participation? Fame and glory will be the main compensation. Anyone making a major contribution will get a free copy of the annual. Anyone making a smaller contribution (like a single picture) will be able to buy a discounted copy of the annual at the cost of printing and postage. (I can assure you that this will not be a money making project.) I want to hold the book down to a reasonable cost, in the $25-$30 range.

When will the book be published? If I can get the contributions by the end of June, then the book should be available in time for release at the Cannon's Escape Artist convention in October.
This will be the goal, but one never knows.

So please send me your thoughts and comments. Is this a good idea? Would you like to participate?

Thanks very much.

Joseph W. Lauher
lauher@handcuffs.org

http://www.handcuffs.org/handcuff_annual_2006.pdf
Click to expand...
Joe,

I was wondering if you would be interested in including a piece in your new Handcuff Annual about Escape Masters, the International Association of Escape Artists. We now have members on four continents around the world, and publish a quarterly magazine that goes out to members. I serve as President of the Association ,and Editor/Publisher of Escape Masters Magazine. It was founded in 1985, by Norman Bigelow,and run by me since 2001. We can do a history timeline piece on Escape Masters, if you like.

A second idea was either to submit an article, written by me, for the Handcuff Annual, on the evolving changes in the world of escapes. It could compare performing escapes in Houdini's era of Vaudeville, with perfroming escapes today.

Still another idea is to submit promo information on me, as an escape artist, or a story on another escape artist, as you had suggested. It might also be possible to reprint one of the interviews that I have done in Escape Masters.

Anyway,I figured that I would give you some possible ideas about articles for the new annual. I would like to be involved in some way. Just let me know what you think would be best. You can also call me at (401)934-0344.

Mysterioulsy,
Thomas Blacke
Joe Lauher 15 Jun 2005
#4
It has been about two months since my first announcement of the Handcuff Annual 2006. A copy of the original message can be found below.

Many people have proposed very interesting contributions for the annual. I think it will be a great success. But of course it is time to remind everyone that now is the time to start working on your contribution if you have not already done so. I would like a first draft of everyone's contribution by June 30.

If you would like to participate, but have not yet contacted me, please do so immediately. I still have room for more.

Thanks very much to all for you help with this project.

Joe


----------------------------
Handcuffs.Org
March 26, 2005

Dear Friends

I wish to announce and solicit your contributions for the "The Handcuff Annual - 2006."

This will be a bound book with a “magazine” format with contributions from people in the world wide restraint collecting/escape artist community. The physical binding and paper of the book will be like my British Handcuffs book, but the annual will be in a two column format with a smaller font so the information density will be higher. An emphasis would be given to good photographs. The book will be say 150-200 pages long with some (25-30) color pages. I learned in my first book that the black and white pictures are good enough for cuffs, but color will be very nice for pictures of people or events and displays of entire collections.

The annual will not be just another encyclopedic book on handcuffs; instead I plan to include a variety of features. But it all depends upon contributions from the community. I want this to be a "fun" project that everyone can participate in. If it is successful it can become a true "annual" and we can do it again next year.

Here are some ideas to get you started, but please feel free to suggest almost anything within the general theme.

1. Feature articles on specific handcuffs or lines of handcuffs form the past. For example: Froggatt Handcuffs, the handcuffs of East Germany, or even better - the handcuffs of Eastern Europe. Mckenzie Mitts, cuffs by Mattatuck, or Gill or you name it. The key would be a good set of photos, they will be reproduced in high quality black and white on glossy paper with color available for special items.

2. Public Collection Displays. Photographs of public collections from around the world. This is something where everyone could participate. Just send a photo or two or three of a public collection that you have visited. If you want to write a full article that would be even better.

3. Feature articles on specific private collectors or collections. These would be similar to the Fred Patella or Stan Willis articles on my web site. It would be very nice if one collector could write an article about a visit to another.

4. Articles on the technical aspects of restraints. Perhaps someone might write an article similar to the ones that Dick Norman wrote for the Locksmith Ledger back in the 1950s. Maybe someone could write about the manufacturing process.

5. A photographic “highlights” or gallery section asking for pictures of unusual cuffs from collectors around the world. All one needs to do is to submit a high quality picture and a short description.

6. A section devoted to "oddballs" or "unknowns" cuffs that no one can identify. This could be great fun. I have a couple cuffs that may be unique. I am sure that others do as well. Again all you would need to supply would be a picture and a short description.

7. Feature articles on specific escape artists of the present. One idea is to ask one escape artist (or fan) to write about one of his or her colleagues, perhaps using an interview format. The key would some nice color pictures, which could be publicity shots, but original pictures would be better.

8. Articles on escape artists of the past. This would depend upon the availability of some good pictures. A collection of pictures of old brochures would be great.

9. A gallery of pictures of “escape events” that have taken place in the last year. I will solicit contributions at the Magic Café web site. A report of the United Kingdom Escape Artist meetings would be most welcome.

10. A section devoted to old ads and advertising brochures. We can do this for restraints, but also for escape artists of the past. Any 19th century advertising would really be welcome.

11. Personal stories. How did you acquire that special cuff? How did you get started in collecting? Do you have a particularly good eBay story?

12. A new products section, showing interesting new cuffs on the market as well as products intended for the escape artist community.

13. Anything else you care to suggest.

So what should you do if you wish to participate? Send me your tentative ideas as soon as possible. If you do this I can make sure that I do not have two people doing the exactly same thing.

What format do I need? Text can be in almost any format, although Microsoft Word would be ideal. Pictures need to be of high quality. We will print at 300 dpi so a picture that spans a full page needs to be at least 2000 pixels wide. Pictures than span a single column won't need so many pixels. Color pictures can be submitted, but I will have to ration color since it will be the most expensive part of printing the book. Scans of old brochures, ads or pictures should be done at the highest resolution you can.

What will I do with your contribution once I receive it? I will edit and format it to fit into the style of the annual and I will then send it back to your for your final approval. I will also ask others to help me review and proofread the contributions. (Volunteers would be most welcome.)

When should you submit? As soon as you can, but no later than June 30 for a first draft. Sooner is much better than later.

Who will own the copyright? The copyright to all submitted materials would be retained by the original author or photographer. I only ask that I be given permission to include your contributions in the Annual, including any possible reprint, and to post your contribution on the Handcuffs.Org web site sometime in the future. I will take particular care to give full credit and acknowledgement to each author. You should of course make sure that you own the copyright or have permission to use any materials that you submit. Don't take pictures off the web or out of other books without permission unless they are clearly in the public domain.

What do you get for participation? Fame and glory will be the main compensation. Anyone making a major contribution will get a free copy of the annual. Anyone making a smaller contribution (like a single picture) will be able to buy a discounted copy of the annual at the cost of printing and postage. (I can assure you that this will not be a money making project.) I want to hold the book down to a reasonable cost, in the $25-$30 range.

When will the book be published? If I can get the contributions by the end of June, then the book should be available in time for release at the Cannon's Escape Artist convention in October.
This will be the goal, but one never knows.

So please send me your thoughts and comments. Is this a good idea? Would you like to participate?

Thanks very much.

Joseph W. Lauher
lauher@handcuffs.org

http://www.handcuffs.org/handcuff_annual_2006.pdf
Click to expand...
Thomas

Nice to hear from you. I certainly would welcome your participation. And Escape Masters and the International Association of Escape Artists should certainly be represented.

All of your ideas are great. I will send you an email and we can figure out what makes the most sense.

cheers
Joe